THE ENTERTAINER ZFor complete TV listings see the Saturday. July 31 Entertainer. Television Albuquerque Journal tit*lwi, August 3, 1999 B4 1 1 1 i I jV -Ta KJL if 'AM 7H I f(IKI TT 'I tT WitT Mli 2 12 2 2 12 MagicBua Magic Bus jpoug 98154 BoHWw BoyWortd (sister, Sis Downy Marie (W) 14feap iSyaood jetatWoa Rangers jfaaojeaan jSydu Man 5 4 4 4 Today 48043 Howie Mendel (R) 33870 Lean (R) 50883 Days of Our Lives 4731 9 Passions 30628 Saaaaet Beat 1608 Jenny Jones 5E131 facM Lake 4777 Mowe 6 5 5 5 Sesame St Barney Arthur 3251 2jTtHubbte Swwt Street 34680 Barney Zoboometoo Readmg OmW ai Day Chart Bo 56680 Itartteanq, jMarfceSna fttglon TlaaiawB Qeaae as SMMy fwj6one 7-7 7 7 7 Good Homing America 44488 Beg KathleLee 36048 Maury 83135 AJ My CWdrcw 94929 Ne 58048 Owe Lite to Uve 67796 General Hospital 41661 Montel WaTaaina 6306 fQpraa 1 111111 11 LJanfctns HeeltrgYou The 700 Oub 75512 God Answers Prayer 40338 A Healthier Yon 696533 tauteiw Quack StadyjjL Booaoa Go fcmul Prayer 12393 Just Pd jn Beijwsaj Jsanss irf 13 13 13 13 13 (3 This Morning (6) 78845 Say Jessy Raphael 991 16 Martha Stenart LMog A the WorW ITurws 544QsThe Price te Bight 67970 In 91628 TwtBohi VoanrjTkiana 307a Guatkno Ugnt 32796 ftaitaniM STwWeggsJtoayawd I 14 4 14 Paid Prog Ufa Today Paid Prog. IPatdProg. Local Programming Paid Prog.
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Drama) 97431 1 Katie Brown New Attftude Party ot Ftva 744048 Chicago Hope 710628 Eaea 587067 Btea2l224t rxwgwauj Dnijaiia fcoMea Girts Oaria 572135 Road Bute Road Bates BfcaaaCaaaBTHL7gT79 61 57 35 25 33 iKl Hot Zona 91 5393 Suae 378406 Isle of MTV News Link (New Music Dawn Patrol 905222 MTV Jams Countdown fGtobal GrWFAJeahc 36 38 26 36 19 (S Blue's CJueslu*tUa iFrankHn ftaVwUbl Rocko's (Btues Clues: (GuaahlsL Scarry Chtie BrownRugrats lqPPer Teacher R. Scarry 29 49 (EEC! MOVIE: The Famiiy Way (6:50) (1966) 19860999 MOVIE: Empire of the Sun (8:50) (1987. Adventure) (PG) 58426680 M0VTE: The Appiaialcaatay ot Daddy Kraritt 5128319 Goad (135) (1974. Aaont (PG) 2C237154 Oil ShadowsD1i ShaoowsTwt Zone Beyond- Lost in Space 9233609 jSghflngs 2008970 mOVSE; Carver's Gate H99R Soence jaaaO 58 40 -l DSV 2374767 Wonder Woman 2752222 Forever Knight 2753951 33 22 22 6 23 QB) 450609 Little House on the Prairie Little House on the Prairie FSMLiahnSW'S FSrfaVflaai HOaafaatfr PSai AjHtyGrtftrmAndyGrifrrihMBodcThefa MOVC: My Gal 2 (1994 Drama) (PG) 731036 4314 MOVIE: The Hardys Rkte Ugh 5021672 MOVa: Touwg Toaa Edaon MOVIE: Summer Holiday (1948. Musical) 7034390 MOVIE: High Barbaree (1947, Drama) 7668154 MOVSE: Uv Finds Andy Hardy (T938? 644306 hluaatSaaWi 39 34 OB) I Reunion iBaby Story Pappytand Swnnamarinii Wedrjng sceofUe Baby Story Bingo, MoHyUghthouse Big Garage Jet Plana Saaay 1 46 55 31 22 15 OK ThaWaAons tHome StaivAofWoPHR AHce I Real McCoys rCrook ft Chase Dallas (Part lot 2) AJeene's tative Living Country Hits Woman I 1 10 42 29 26 25 (Mi MOVE: Trespass (1992.
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Suspense) (PG) 100932 IhawwawdlwJbrMae MOVE: TlaeBaae 793029 I 31 49 14 17 (ED Business Center 554512 Upfront Hardball Chris Matthews Rivera Live 866086 News WUh Brian Wttliams Hardbaa Otris afattlicws Rivera Live 865357 News Wah Brian wTBanaa Bwaaw-sa Uwont Paid Prog. Paid Prog. I 9 45 18 30 30 dB MoneyHne News Hour Crossfire CNN Late Edition 723932 Larry King Live 563654 Tha World Today 268262 Sports Moneyrie Larry King Live 913195 ChWLata. Edhioa 4408 Sports Moneytane paawtoat Croaatwa 59 19 (BS MOVIE: Young Einstein (4) (1988) 86390 VS. 40086 Gallagher Saturday NigWUve 15951 Dairy Show stew FVp ConacsjConiedy Dafy Show Steaa aloneypiaa lij laLnw 762568; 37 30 12 18' 20 (Bi Aladdin Going Wildl Ready Not Growing Forward Growing Brotherty Cleopatra in Concert MOVE: Beetleyace (1988) (PG) 5525357 1 MOVE: Stnl ItotOune Huaaan (104(7) Muaac Video Zornjfg7297wa Disney Present 34 36 14 15 28(Ki'Fbi-ttLlne jlncredible Journeys 262393The Real LAPP 118086 Detectives: Science The FBI Fees 408066 The Real LAPP 488222 Detectives: Science The FBI Fses 899574 aaw.Tnr JUaiaiys43i907MIwr.
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Marshals (1998) (PG-13) 3875965 MOVIE: Andre (7:15) (1994. Pocudrama) (PG) 33870593 REAL Sports Gumbel MOVE: Why Do Foots Fal ai Love (1998) (R) 115864SesOy Arttg 2721 MOVE: UAMtaahaM 3 19 37 21 22 SSjMOVIE: Overnight (4) MOVIE: Richie Rich (1994) (PG) 2935116 MOVIE: Gattaca (7:10) (1997) (PG-13) 70884703 mOVE: Her Akbl (1989. Romance-owwedy) (PG) 111908 MOVE: Mo Strings Attached (1045) 11 mOVE: Event Horfaoa 96 20 38 10 18(5fljjM0VlE MOVIE: Beat Street (1984, Musical) (PG) 719226 MOVIE: Miami Blues (1990) (R) 3435574MOVE: ShadowHurner (8 35) 41 64628 MOVtE: Mew (10:15) (1997. Drama) (R) 566621 Bordeao Women MOVE: Last Road 988471 93 (PSiMOVIE MOVIE: Kayla (4:45) (1998) 90199574 MOVIE: Beetlejulce (625) (1968) 73675593 MOVE: Dlnnor and Drrring 1129777 MOVfE: Gx jane (ft40) (1997. Drama) (R) 99615203 MOVE: WTShoat a Map (11 50- 3486338 MOVE 95 23 QiCi'MOVIE mOVIE: Wishbone's Dog Days of West mOVE: rrremities (6 35) (1986) 30196951 MOVIE: Out of the Dark (1150) 8496135 MOVTE LISTING CHANGES Cable One customers in Rio Rancho receive HBO, HBO-2, Cinemax, and Cinemax-2 programs one hour earlier than listed Dynamic and buoyant dancers rock Santa.
Fe Stages REVIEW Paul Taylor Company presents a wide range of creative work reveal glimpses of pale thighs, reveled in the delights of seduction, conquest, and sensuality. The men, bare-chested except for vests, are martin but never violent. The male duets made frequent use of a double cartwheel motif evoking Socrates' explanation for human sexual attraction. He described two lovers as once being a single creature, joined head to toe, who rolled Eke a wheeL When separated, each would seek to join with another once By Jennifer Noyer For the Journal 'ou almost have to know bow to fly in order to JL dance in the Paul Taylor Company. Friday burdens for male partners.
Tiazzola Caldrera," Piazzola's cauldron, was one of the selections in the Academy Award-txainmated documentary called The Dancemaker," a film on the life of Paul Taylor. The cauldron in the dance was a smoky cabaret space where the dancers presented Taylor's observations on human eroticism Designed in four sections, the ballet opened with Sol Soeno," danced to tango rhythms. Male and female groups challenged each other, and then invaded the other's space In explore a pure delight in sensual teasing. The dance was cast with more men than women to present a fuller range of human rmntinnal and sexual attraction. Taylor is not interested in prtadimg, be an observer here.
Sensual beauty is exjnibined smh a jJraigfctor-rani ackoowledgement that this a fun, and exciting part of being hnman. men's formations like a breath of spring. The second section, "Larghetto," was a soft, lyrical quartet with two couples moving in a courtly romance. Heather Berest's solo in the "Largo" took the high reaching and circling themes from the "Allegro," and restated them more deeply with long, contracted i thrusts of the arms and upper body which then retracted to high, backward arches in arabesque. The "Presto" was a celebration of male vitality with five men leaping and turning in the air while arching their backs and lifting their crossed feet behind.
Rachel Berman and Patrick (Sorbin created symmetrical mirroring patterns in space for the "Andante" secrJoa. The full cast returned for the final "Presto" that threatened to take the walls down. Everything moved at a gallop, with extremely fast turning lifts that spiraled in and out of the floor. It was almost scary. "A Field of Grass," choreographed to five songs by Harry Nilison, opened with a solo figure seated at center stage, blissfully smoking a cigarette.
Taylor takes a good-humored look at the dreamy, spaced-out lifestyle of an earlier generation. The six dancers moved toward a groggy chaos of movement, and ended finally with a smooth, relaxed ragtime shuffle. The flattened, archaic shapes in "Profiles" moved horizontally on stage like figures in an ancient Greek frieze. Moments of frozen stillness alternated with gymnastic partnering that twisted the dancers' bodies into action sculptures. Martha Graham's kept coaxing to inind.
There were several shaky motnenti during the most difficult lifts, surprising such a superb company, but the heavy, grounded quality of the movement eliminated the little jumped preparations that ease physical highly contrasting dances. The opening 'Cascade," choreographed to six movements from three of J.S. Bach's concertos for piano and orchestra, and the closing Tiazzola Caldera," to music by Astor Piazzola, were the real meat of the program. They sandwiched "A Field of Grass," a humorous commentary on a spaced -out generation, and Taylor's purposely two-dimensional "Profiles." "Cascade," choreographed in 1999, filled the intricate formal structure of Bach's music with an equally intriguing development of movement themes. The opening "Allegro" section of the musk was mirrored by the soaring energy and speed of the dancers who presented, repeated, and developed variations on the dominant movement motifs.
Brilliantly costumed like Renaissance figures by Santo Loquasto, the women resembled -Botticelli's "La Primavera" as they leaped and whirled through the i t'- A 1 a a evening's performance opened the compauy i o-day stay in Santa Fe with Santa Fe Stages, offering a wide range of Taylor's creative work performed by an amazingly strong and buoyant group of dancers. Their artistically sensitive athleticism rocked the theater with almost electric dynamism. The stage of the Greer Garsoa Theatre was really too small to accommodate the large and expansive moves of this company. It was exciting to hear that Santa Fc Stages is in the process of building a new theater. TJie concert presented (our 3 The vocdco, costnoied in Bowktg dressts, and black stockmg pat.
